Named one of the most anticipated books of 2019 by Vulture, Entertainment Weekly, Buzzfeed, Los Angeles Times, Boston Globe, Oprah.com, Huffington Post, The A.V. Club, Nylon, The Week, The Rumpus, The Millions, The Guardian, Publishers Weekly, and more
Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling
On Earth We’re Briefly Gorgeous
At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.
Video Review: On Earth We’re Briefly Gorgeous
An Amazon Best Book of June 2019:There is an immediacy to On Earth We’re Briefly Gorgeous that almost feels unique. The author Ocean Vuong was first published as a poet, and the poetry in this novel—present in the language, in the images and ideas—is unforgettable. The narrator is a young man in his late twenties, nicknamed Little Dog by his family, who is composing a long letter to his Vietnamese mother. Little Dog and his family grew up poor in Hartford, Connecticut, but their struggles do not end there. His mother still carries the burden of the war, as does his grandmother, and Little Dog’s struggles reach not only back to the traumas of Vietnam but forward in his efforts to fit in to a world that sees him as other.
Eventually, he does find some solace in an ill-fated relationship with an older “redneck” boy, but that is only temporary. What is permanent is his desire to write, and of course his family. Vuong almost seems to be trying to super inject imagery, emotion, and language into every page, and to great effect; but no writer can reach absolute perfection. There are soaring moments in this novel, many of them. There will also be moments (although they will disagree on which ones) where readers feel that the writing fails. That’s how great art is made.—Chris Schluep, Amazon Book Review
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“Vuong writes about the yearning for connection that afflicts immigrants. But ‘ocean’ also describes the distinctive way Vuong writes: His words are liquid, flowing, rolling, teasing, mighty and overpowering. When Vuong’s mother gave him the oh-so-apt name of Ocean, she inadvertently called into being a writer whose language some of us readers could happily drown in…Like so many immigrant writers before him, Vuong has taken the English he acquired with difficulty and not only made it his own — he’s made it better.” —Maureen Corrigan, Fresh Air
“With his radical approach to form and his daring mix of personal reflection, historical recollection and sexual exploration, Vuong is surely a literary descendant of [Walt Whitman]. Emerging from the most marginalized circumstances, he has produced a lyrical work of self-discovery that’s shockingly intimate and insistently universal…[The] narrative flows — rushing from one anecdote to another, swirling past and present, constantly swelling with poignancy…Vuong ties the private terrors of supposedly inconsequential people to the larger forces pulsing through America…At times, the tension between Little Dog’s passion and his concern seems to explode the very structure of traditional narrative, and the pages break apart into the lines of an evocative prose poem — not so much briefly gorgeous as permanently stunning.” —Ron Charles, Washington Post
“In order to survive, Little Dog has to receive and reject another kind of violence, too: he must see his mother through the American eyes that scan her for weakness and incompetence and, at best, disregard her, the way that evil spirits might ignore a child named for a little dog. There is a staggering tenderness in the way that Little Dog holds all of this within himself, absorbing it and refusing to pass it on. Reading ‘On Earth We’re Briefly Gorgeous’ can feel like watching an act of endurance art, or a slow, strange piece of magic in which bones become sonatas, to borrow one of Vuong’s metaphors.” —Jia Tolentino, The New Yorker
About The Author
Ocean Vuong is the author of the debut novel, On Earth We’re Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 15 other languages worldwide. He is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize.
Originally published: 4 June 2019
Genre: Coming-of-Age Fiction